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WITZ, Konrad
King Solomon and the Queen of Sheba qr
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ID: 09748
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WITZ, Konrad
b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art, Related Paintings of WITZ, Konrad :. | The Miraculous Draught of Fishes (mk08) | The Synagoge jrt | Pieta,Fifteenth century | Adoration of the Magi hfy | St Bartholomew wr | Related Artists: Jan Sanders van Hemessen1500-1566
Dutch
Jan Sanders Van Hemessen Gallery
was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen, he also painted portraits. Federico MaldarelliFederico Maldarelli (1826 - 1893) Peter van BloemenPieter van Bloemen, called Standaart (bapt. 17 January 1657 - 6 March 1720), first name also spelled Peter or Peeter, was a Flemish painter.
Van Bloemen was born in Antwerp, where he attained the status of master at the age of 17. He then went to Rome, where he remained until 1694, adopting completely Italian manners. In 1699 he became dean of the Guild of Saint Luke in Antwerp. He was the teacher of his younger brother Jan Frans van Bloemen, a highly regarded painter of classical landscapes. The brothers travelled widely together, often collaborating on works, with Pieter taking on the role of figurista in Jan Frans' vedute, a role he also performed for many other artists.
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